Hannah Lewis &
Neil Crossland

Ludwig van Beethoven (1770-1827)

Cello Sonata No. 2 in G minor Op 5 (Beethoven)

i Adagio sostenuto e espressivo – Allegro molto più tosto presto, ii Rondo. Allegro

Cello Sonatas No. 1 and No. 2, Op. 5, are two sonatas for cello and piano written by Ludwig van Beethoven in 1796, while he was in Berlin. In the early 19th century, sonatas for piano and instrument were usually advertised as piano sonatas with instrumental accompaniment. Beethoven is credited with composing one of the first cello sonatas with a written-out piano part. The Op. 5 sonatas are the first two examples of fully developed cello sonatas in the modern tradition.

Neil Crossland

2nd Cello Sonata Op 68 (Crossland)

i Moderato e rimico, ii movement 2, iii Prayer, iv Andante e cantabile

Neil Crossland’s Cello Sonata No. 2 is a captivating work that showcases a vibrant dialogue between the cello and piano across four distinct movements. With its lush textures and abundant melodic inventiveness, this sonata explores a range of moods and expressions, from lyrical introspection to virtuosic brilliance. Each movement offers a unique character, contributing to a dramatic and cohesive journey. The piano and cello engage in a dynamic interplay, weaving intricate themes and echoing one another in moments of tender lyricism and bold intensity. This piece reflects Crossland’s skill in blending technical finesse with emotive power, resulting in a rich, multifaceted work that will captivate both performers and listeners.

Performers

Hannah Lewis - Cello

Hannah Lewis was born in Watford and started learning the cello at the age of 5. She gained a scholarship to study at the Royal Academy of Music with David Smith, and since graduating has developed a busy career as a freelance cellist and teacher.

Neil Crossland - Piano

Neil Crossland is a distinguished British pianist and composer from Yorkshire. His musical journey began at age six, leading him to the Royal College of Music in London, where he earned top prizes in piano and composition. Crossland has performed in prestigious venues such as the Barbican, Queen Elizabeth Hall, and Wigmore Hall, and is particularly noted for his complete performances of Beethoven's 32 piano sonatas at St James' Piccadilly.