- This event has passed.
Morello Quartet
9 January @ 12:45 pm – 1:45 pm
Tickets on the door (cash or card). Under 18s and carers go free
Doors open at 12:15 pm
Performers
Anna Caban
Violin
Ana Popescu-Deutsch
Violin
Kesari Pundarika
Viola
Anil Umer
Cello
Notes on the performers
The Morello Quartet was formed in the autumn of 2019 by four good friends who enjoyed playing chamber music together. Their inaugural concert was part of St. James’ Concert series in Paddington in March 2020. Since then they’ve performed as part of ‘Enescu and Friends’ concert series at the Romanian Cultural Institute in London, at the Shipwright Festival in Deptford, the Artisti con Brio series at the Candid Arts Trust and in many places around the UK, including Wandsworth, High Wycombe, North Aston and Aylesbury. Recent engagements include a cross sensory concert at the Tea House Theatre in Vauxhall where a three-course meal themed on the programme was served alongside the performance.
The group is passionate about performing varied and diverse programmes combining classical, folk-inspired, and contemporary music.
Anna Caban
Anna Caban was born in Poland and studied violin at the Karol Szymanowski Academy of Music in Katowice after which she moved to London to study at the Guildhall School of Music and Drama in London. Since graduating she has been working as a freelance violinist and teacher. She performed as a member of many orchestras, such as the European Union Youth Orchestra, AUKSO Chamber Orchestra, the Modern Music Orchestra, Aurora Orchestra and Opera North. As well as performing she enjoys teaching. She works as a violin and viola teacher for Music Masters and the North London Conservatoire.
Ana Popescu-Deutsch
Romanian violinist Ana Popescu-Deutsch studied at the Royal Academy of Music where she received BMus(Hons) and MA. During her studies and straight afterwards she was a member of the European Union Youth Orchestra and Southbank Sinfonia. A keen performer of Romanian classical and folk music, she continues to direct a chamber music series called ‘Enescu & Friends’ aimed to introduce the audience to George Enescu’s work in the musical context of his époque. Ana also performs with the Scordatura Collective, promoting music composed by women. She performs in diverse orchestral projects and is frequently a guest violinist in other chamber groups. Ana is also a committed teacher, teaching violin and viola at the North London Conservatoire.
Kesari Pundarika
Born in the United States, viola player Kesari Pundarika studied at the Royal College of Music with Ian Jewel and the Royal Academy of Music with Martin Outram. She was a member of Southbank Sinfonia, the Britten Pears Orchestra under Marin Alsop, and the Chipping Campden Festival Orchestra. She has also played with the Westminster Opera Company and was principal viola of the Hoeri Musiktage Festival Orchestra in Germany. As a member of the Chineke! Orchestra she has recorded for various labels and has performed at the BBC Proms. She recently performed Beethoven’s Septet with the Chineke! Chamber Ensemble, and also plays with the London Concert Orchestra. As dedicated teacher, she has several private students and teaches at the QYMC in Ealing.
Anil Umer
Anil Umer is a freelance cellist, Functional Movement Specialist and Soft Tissue Therapist. Having had to temporarily quit performing due to a shoulder injury, Anil now enjoys working with musicians and athletes to aid them in their own rehabilitation. A committed chamber musician, Anil has performed extensively with various ensembles at venues across the UK including St Martin in the Fields, LSO St Lukes, St James Piccadilly and the Holywell Rooms in Oxford. A graduate of Exeter College Oxford, Anil was awarded a full postgraduate scholarship to the Royal Academy of Music studying under Josephine Knight and Mats Lidstrom. Whilst there, he was a winner of numerous awards including the Philharmonia’s Martin Musical Scholarship, the Countess of Munster Postgraduate Award and the David Poznanaski String Quartet Prize.
Programme
Programme notes
Antonín Dvořák
String Quartet No. 10 in E♭ major, Op. 51 (B. 92)
- Dumka (movement 2)
Dvořák wrote his String Quartet No. 10 in E♭ major, Op. 51 (B. 92), in 1879 at the request of Jean Becker, the leader of the Florentine Quartet. It is sometimes nicknamed the Slavonic Quartet (Becker had asked specifically for a “Slavonic Quartet” in the wake of Dvořák’s “Slavonic Dances” and “Slavonic Rhapsodies”). The Slavonic character of the Quartet derives from the scherzo movement which has the form of a Dumka.
Source: Wikipedia
Joseph Haydn
String Quartet Op. 76 no 1
- Allegro con spirito
- Adagio sostenuto
- Menuetto. Presto
- Allegro ma non-troppo
The six String Quartets, Op. 76, by Joseph Haydn were composed in 1797 or 1798 and dedicated to the Hungarian count Joseph Georg von Erdődyn 1. They form the last complete set of string quartets that Haydn composed. At the time of the commission, Haydn was employed at the court of Prince Nicolaus Esterházy II and was composing the oratorio The Creation as well as Princess Maria Hermenegild Esterházy’s annual mass.
Source: Wikipedia
Charlton Singleton
Testimony
Testimony is written from the Prayer Band experience, and from specific rhythms in African American churches and communities—the ‘Gullah Clap’ (on beats two, two-and, and four) and the ‘Half Clap’ (on beat one only)
Source: Charlton Singleton
Nordic folk songs
Arranged by the Danish String Quartet
- Dromer
- Bridal Trilogy part II
- Shine you no more
Dancing is the whole point of a song like “The Dromer.” The tune was discovered in an 18th-century Danish collection, but its roots are Scottish. There’s a drone underneath a prancing melody — a perfect stand-in for a bagpipe.
Bridal Trilogy part 2 is a traditional danish folk tune from a tiny village called Sønderho in the western part of Denmark. It’s the second tune in a set of three wedding tunes which dates hundreds of years back.
Tonsgaard’s “Shine you no more” was inspired by the 16th century English composer John Dowland, but plays out more like an Irish reel.
Source: Danish String Quartet
Turtle Island Quartet
Danse du Bonheur (arr. Turtle Island Quartet)
“La Danse du Bonheur,” was penned in the mid-1970s by guitarist John McLaughlin and violinist L. Shakar as a musical reaffirmation of Coltrane’s connection to India. The Turtle Island version of the piece retains the passion of the original 1976 recording at a tempo that allows for added focus on the melody and greater interaction among the strings.