Aylesbury Lunchtime Music presents

Aylesbury Opera

23 May 2024

Starts: 12:45pm, Doors: 12:15pm

Duration: 1 hour (approx.)

£7 adults on the door (<18s & carers free)

Aylesbury Opera

Programme

A quartet of principal singers from Aylesbury Opera will present a varied programme of solos, duets and ensembles from across the 18th-20th century opera and chamber repertoire. Featuring Elinor Popham (soprano), Chiara Carbone (mezzo soprano), Philip Hayes (tenor) and Aleksi Koponen (baritone). Piano accompaniment will be provided by Harriet Lawson, who spent her career working in opera houses across Italy before retiring to Bucks.

  • L’incoronazione di Poppea, SV 308 (Monteverdi)

    Duet: Pur ti miro, pur ti godo

    L’incoronazione di Poppea (SV 308, The Coronation of Poppaea) is an Italian opera by Claudio Monteverdi. It was Monteverdi’s last opera, with a libretto by Giovanni Francesco Busenello, and was first performed at the Teatro Santi Giovanni e Paolo in Venice during the 1643 carnival season.

  • Samson, HWV 57 (Handel)

    Thy Glorious Deeds

    Samson (HWV 57) is a three-act oratorio by George Frideric Handel, considered to be one of his finest dramatic works. It is usually performed as an oratorio in concert form, but on occasions has also been staged as an opera.

  • Xerxes, HWV 40 (Handel)

    Ombra mai fu

    Xerxes; HWV 40) is an opera seria in three acts by George Frideric Handel. The opera is set in Persia (modern-day Iran) about 470 BC and is very loosely based upon Xerxes I of Persia. The opening aria, “Ombra mai fu”, sung by Xerxes to a plane tree (Platanus orientalis), is set to one of Handel’s best-known melodies, and is often known as Handel’s “Largo” (despite being marked “larghetto” in the score).

  • Giulio Cesare, HWV 17 (Handel)

    Piangerò la sorte mia

    Giulio Cesare (HWV 17) is a 1724 opera seria by Handel. The libretto was written by Nicola Francesco Haym who used an earlier libretto by Giacomo Francesco Bussani, which had been set to music by Antonio Sartorio (1676). The opera was a success at its first performances, was frequently revived by Handel in his subsequent opera seasons and is now one of the most often performed Baroque operas. The opera’s plot is loosely based on historical events during the Roman Civil War of 49–45 BC.

  • Jephtha, HWV 70 (Handel)

    Waft her, angels

    Jephtha (HWV 70) is an oratorio (1751) by George Frideric Handel with an English language libretto by the Rev. Thomas Morell, based on the story of Jephtha in Judges (Chapter 11) and Jephthes, sive Votum (Jeptha, or the Vow) (1554) by George Buchanan. Whilst writing Jephtha, Handel was increasingly troubled by his gradual loss of sight, and this proved to be his last oratorio.

  • Six duets, Op. 63 (Mendelssohn)

    1. Ich wollt’, meine Lieb’ ergösse sich 2. Wie war so schön doch Wald und Feld 3. Wohin ich geh und schaue 4. Ach, wie so bald verhallet der Reigen 5. O säh ich auf der Heide dort 6. Maiglöckchen läutet in dem Tal

    Follow the link to see a translation

  • 1843-1907

    Zur Rosenzeit, Op. 48 (Grieg)

    Tornami a vagheggiar

    Between 1884 and 1888, Grieg composed six songs: Zur Rosenzeit, Op 48.

  • 1877-1953

    Now sleeps the Crimson Petal (Quilter)

    Now sleeps the crimson petal has been a favourite among singers ever since its publication in 1904. It is a drawing-room song raised to a higher plane by its sensitivity to the words, resulting in flexible barring rarely seen at the time.

  • 1810-1856

    Die Lotosblume (Schumann)

    Die Lotosblume is a poem written by Heinrich Heine and set to music by Robert Schumann in 1840. This Lied is part of Schumann’s Myrthen collection (op. 25 no. 7). The piece speaks of the blooming of a lotus flower, who hides from the sun and only reveals herself at night to her lover, the moon.

  • 1810-1856

    Wenn ich ein Vögelein wär (Schumann)

    Translates as ‘If I were a bird’. The song, which expresses the longing of a person whose thoughts constantly revolve around the absent loved one, was widely received in the 19th century.

  • 1797-1828

    Quartet: Lebenslust (Schubert)

    Lebenslust was composed in 1818 by Schubert.

  • Don Pasquale (Donizetti)

    Com’è gentil

    Don Pasquale is an opera buffa, or comic opera, in three acts by Gaetano Donizetti with an Italian libretto completed largely by Giovanni Ruffini as well as the composer.

  • Hänsel und Gretel (Humperdinck)

    Duet: Abendsegen

    Hansel and Gretel is an opera by nineteenth-century composer Engelbert Humperdinck, who described it as a Märchenoper (fairy-tale opera).

  • The Magic Flute, K 620 (Mozart)

    1. Ach, ich fuhl’s, es ist verschwunden 2. Duet: Bei Männern welche Liebe fühlen

    The Magic Flute (Die Zauberflöte, K 620) is an opera in two acts by Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a Singspiel, a popular form during the time it was written that included both singing and spoken dialogue. This aria is from scene 4: A hall in the Temple of Ordeal. Tamino begins to play the flute, which summons Pamina. She tries to speak with him, but Tamino, bound by his vow of silence, cannot answer her, and Pamina begins to believe that he no longer loves her: (“Ach, ich fühl’s, es ist verschwunden” / Oh, I feel it, it is gone). She leaves in despair.

  • La cenerentola (Rossini)

    Come un ape ne giorni

    La Cenerentola, ossia La bontà in trionfo (“Cinderella, or Goodness Triumphant”) is an operatic dramma giocoso in two acts by Gioachino Rossini.

  • Fidelio, Op. 72 (Beethoven)

    Mir ist so Wunderbar

    Fidelio, originally titled Leonore, oder Der Triumph der ehelichen Liebe (Leonore, or The Triumph of Marital Love), Op. 72, is the only opera by German composer Ludwig van Beethoven.

Performers

  • Aylesbury Opera

    Vocal ensemble

    Aylesbury Opera has been mounting opera productions and concerts in Aylesbury and the surrounding area for over 40 years.
    Read More

Key information for concert goers

When

Every Thursday at 12:45pm (except August & over Christmas). Performances last around 60 minutes. Please enter quietly as there is a noon service in the Lady Chapel.

How much?

Entry is £7 per adult (card or cash), under 18s and carers are free. The price includes a programme. Donations are welcomed to subsidise the larger ensembles.

Where?

Performances are at St Mary’s Church in the heart of Aylesbury Old Town. See directions for further details.

Do I need to book?

No, just turn up. Doors open at 12:15 pm. Make sure you arrive in good time to get a seat.

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