Aylesbury Lunchtime Music presents

Samsara Duo

13 November 2025

Starts: 12:45pm, Doors: 12:15pm

Duration: 1 hour (approx.)

ÂŁ7 adults on the door (<18s & carers free)

Sarah Minelli and Mario Marzi

Programme

Samsara is committed to inspire the creation of new repertoire for our unusual flute/saxophone duo. Therefore, the programme includes pieces written especially for them, with a world premiere and a UK premiere.

  • c 1200

    Beata Viscera for flute and saxophone (Pérotin)

    This work Beata Viscera was written around 1200 and celebrates the mystery of the Virgin Mary. It was sung during a Mass celebrated for the Virgin Mary and translates as ‘O blessed womb’. It has been arranged for flute and saxophone.

  • Two part inventions, BWV797 No. 11 & BWV777 No. 6 (Bach)

    i No. 11 BWV797, ii No. 6 BWV777

    The Inventions and Sinfonias, BWV 772–801, also known as the Two- and Three-Part Inventions, are a collection of thirty short keyboard compositions by Johann Sebastian Bach (1685–1750): 15 inventions, which are two-part contrapuntal pieces, and 15 sinfonias, which are three-part contrapuntal pieces. They were originally written as Praeambula and Fantasiae in the Klavierbüchlein für Wilhelm Friedemann Bach, a clavier-booklet for his eldest son, and later rewritten as musical exercises for his students.

  • Two Lines (Bryars)

    “Two Lines” is a composition by English composer Gavin Bryars for two recorders (tenor and bass) which has been arranged for flute and alto saxophone. Written in 2007 at the request of performers Peter Bowman and Kathryn Bennets to celebrate their 20th anniversary, the piece is a response to J.S. Bach’s “Two-Part Inventions”.

  • Somewhere at 7.20pm (Fensi)

    Often, as we fall asleep, slight noises, such as voices, words, buzzing sounds, may suddenly expand, causing us to startle and thus depriving us from the rest we wish for. We may waver a little, between sleeping and waking, losing ourselves in the living ramifications which develop from this state. “Somewhere at 7 :20 p.m.” imagines and explores this area of sounds, inspired by a traditional Tuscan lullaby that Sara Minelli and I chose, so as to create a piece in which a single performer could mingle the resonances of the voice and the bass flute. An intimate domestic scene, in which a mother’s lulling voice meets the child’s dreaming imagination, struggling anxiously to fall asleep. (Fensi)

    The text of the lullaby in Italian:

    Ninna nanna sette e venti,
    il bambino s’addormenti,
    s’ addormenta e fa un bel sonno
    e si sveglia domani a giorno.

    Ninna nanna sette e venti,
    il bambino mette i denti,
    e ne mette una ventina
    fra stasera e domattina.

    Ninna nanna otto e dua,
    il bambino c’ha tanta bua.

    Nanna oggi, nanna ieri,
    e le sporte un son panieri,
    i panieri un son le sporte
    e la vita un è la morte;
    e la morte un è la vita:
    la canzone l’è già finita!

    English translation:

    Lullaby at 07: 20 pm ,
    may the baby fall asleep,
    he falls asleep and dreams so deep
    and wakes tomorrow from his sleep.

    Lullaby at 07:20 pm
    the baby is getting his teeth,
    and he’ll get about ten of them
    between tonight and tomorrow morning.

    Lullaby at 08:02 pm
    the baby is in pain.

    Lullaby today, lullaby yesterday,
    and the bags are not baskets,
    the baskets are not bags,
    and life is not death;
    and death is not life:
    the song is already over.

  • 1927-1996

    O Great Spirit (Mulligan)

    “O Great Spirit” is a song composed by the jazz musician Gerry Mulligan near the end of his life. He never recorded it but it was later recorded by artists like the Bud Shank Quartet.

  • 1979-

    Eco-Stress (Han)

    Eco – Stress is inspired by the issue of climate change. The piece consists of three parts in interrelated form that is unfolded by extended techniques such as abstract timbre, symbolic segmentation of nature and set – theory combined music materials throughout the piece. Numbers 1 [A], 4 [F],6 [Ab] represent soil, nature and the sky, which are the basic foundation of pitch set. The numbers are often used as rhythm segmentations. Also, I made the set of instability of numbers [1,4,6,13,14,17,22,26,38,40] interpreted in several configurations of music segmentation (Han)

  • Shadows on Snow (Causton)

    Shadows on Snow is written for two of my favourite instruments: alto flute and soprano saxophone. Of its series of contrasting sections, one recurring material evokes swirling flurries of flakes gradually falling; elsewhere, the two instruments take it in turns to play the part of image and shadow. In the final section, flute and saxophone share a flickering, whispering material which is at once rapid and static, almost fusing them into one instrument. Shadows on Snow is dedicated to Minelli and Marzi (Causton)

Performers

  • Samsara Duo

    Flute/Saxophone Duo

    Exceptionally talented flautist Sarah Minelli joins with the legendary saxophonist Mario Marzi to form the Samsara Duo
    Read More

Key information for concert goers

When

Every Thursday at 12:45pm (except August & over Christmas). Performances last around 60 minutes. Please enter quietly as there is a noon service in the Lady Chapel.

How much?

Entry is ÂŁ7 per adult (card or cash), under 18s and carers are free. The price includes a programme. Donations are welcomed to subsidise the larger ensembles.

Where?

Performances are at St Mary’s Church in the heart of Aylesbury Old Town. See directions for further details.

Do I need to book?

No, just turn up. Doors open at 12:15 pm. Make sure you arrive in good time to get a seat.

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