“Macht hoch die Tür” (“Fling wide the door”) is a popular German Advent hymn, written in 17th century Ducal Prussia. The melody that is now associated with the text appeared first in 1704 in the hymnal by Johann Anastasius Freylinghausen.

“Es ist ein Ros entsprungen” (‘A rose has sprung up’) is a Christmas carol and Marian hymn of German origin. It is most commonly translated into English as “Lo, how a rose e’er blooming”. It is most commonly sung to a melody harmonized by the German composer Michael Praetorius in 1609.

The “Sussex Carol” is a Christmas carol popular in Britain, sometimes referred to by its first line “On Christmas night all Christians sing”.

After a recent injury to my left hand I decided to contribute some music for those in need of some right handed challenges. They are completely traditional in style, ranging from a classical minuet and trio to a late romantic virtuoso showpiece. Sometimes aiming to hide their singlehandedness, sometimes embracing it as an aesthetic, they aim to give the right hand something to chew on that will also please the listener.

The piano repertoire for left hand alone was a comparatively recent development dating from the later 19th century and was boosted significantly by the Austrian pianist Paul Wittgenstein, who commissioned the Concerti for the Left Hand by Ravel, Prokofiev, Hindemith and others and produced a large number of arrangements of solo works by other other composers. The right hand, by contrast, has had very little time spent on it, probably because it enjoys the bulk of our attention in normal piano music. It is certainly true that amongst pianists it is the right hand that must often take a sabbatical or retire completely due to overuse, misuse or pure bad luck, thereby leaving the left hand to keep the show going on by itself. However, the left hand suffers its fair share of injuries and it would seem a shame to neglect those occasions where the right hand may need or deserve to take a solo role.