Italian concerto, BWV 971 (Bach)

Movements

i Allegro ii Andante iii Presto

Notes

In composing a solo concerto in Italian style, Bach set himself the twofold task of simulating the contrasting ensemble forces of concerto grosso or tutti (the full orchestra) and concertino (soloist or group of soloists) and supplying the form (fast-slow-fast) and exuberant spirit of the Italian concerto grosso models. Originally written for a harpsicord with two manuals, the pianist has a far greater challenge defin­ing and colouring ‘solo’ and ‘orchestra’ parts but that’s all right; hard work is good for a pianist’s soul!

Performances